In this compelling new book, A. Robert Lee tackles the questions: how, and why, does a literary work assume the mantle of modern? He shows, with wit and verve, that writing as far back as Chaucers
The Canterbury Tales can be called modern. That the term further applies to John Skeltons poetry and to Shakespeares
Hamlet and to the sexual and theological verse of John Donne.
That modern literary experimentation holds as you read Sternes
Tristram Shandy, the poetry of Byron, the gothic of Mary Wollstonecraft Shelley, the essays of Hazlitt, a novel like Conrads
The Secret Agent and the work of Samuel Butler, Lytton Strachey and Ford Madox Ford.
That with writers such as Mina Loy, Dorothy Richardson and Jean Rhys you have a gallery of the feminist modern. These ultra moderns segue into the postmodern turn of B.S. Johnson and Ann Quin and to boundary-pushing contemporary fiction, from Bernardine Evaristo to Alan Hollinghurst.
However singular each writer, Lee argues persuasively for a distinctive collection of modern voices.
| Format |
Inbunden |
| Omfång |
176 sidor |
| Språk |
Engelska |
| Förlag |
Edinburgh University Press |
| Utgivningsdatum |
2025-01-31 |
| ISBN |
9781399543804 |